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<title>MA in English Language and Literature</title>
<link href="http://dspace.ewubd.edu:8080/handle/123456789/119" rel="alternate"/>
<subtitle/>
<id>http://dspace.ewubd.edu:8080/handle/123456789/119</id>
<updated>2026-04-05T23:33:49Z</updated>
<dc:date>2026-04-05T23:33:49Z</dc:date>
<entry>
<title>Power, Gaze, and Gender: A Comparative Analysis of the Male and Female Gaze in 1Q84, Out, and Convenience Store Woman</title>
<link href="http://dspace.ewubd.edu:8080/handle/123456789/4692" rel="alternate"/>
<author>
<name>Mou, Faria Rahman</name>
</author>
<id>http://dspace.ewubd.edu:8080/handle/123456789/4692</id>
<updated>2025-10-13T05:54:57Z</updated>
<published>2025-08-14T00:00:00Z</published>
<summary type="text">Power, Gaze, and Gender: A Comparative Analysis of the Male and Female Gaze in 1Q84, Out, and Convenience Store Woman
Mou, Faria Rahman
This dissertation offers a comparative feminist and gynocritical analysis of the male and female gaze in three contemporary Japanese novels: 1Q84 by Haruki Murakami, Out by Natsuo Kirino, and Convenience Store Woman by Sayaka Murata. Using Laura Mulvey’s theory of the male gaze as a foundational framework, this study examines how narrative perspective and gendered representation either undermine or reinforce female subjectivity and agency. In the first chapter, 1Q84 is analyzed through Gérard Genette’s theory of zero focalization to argue that Murakami constructs an omniscient narrative voice that reinforces a male gaze. This narrative technique removes the interiority of the female characters and renders them as objects within the male protagonist’s world. In contrast, the second chapter explores how Kirino’s Out employs a female gaze to depict the intersecting social and structural oppressions experienced by its four female protagonists. Drawing on Kimberlé Crenshaw’s intersectionality theory, this chapter shows how Kirino reclaims the agency of marginalized women by narrating their struggles and resistance. The final chapter turns to Convenience Store Woman, where Sayaka Murata subverts heteronormative expectations by offering her protagonist performative freedom. Using Judith Butler’s theory of gender performativity, this chapter argues that Murata’s use of the female gaze allows for the restoration of female subjectivity outside patriarchal norms. Overall, through feminist lenses, this research aims to exhibit how narrative perspective and authorial gaze shape the possibilities of female empowerment and resistance in modern Japanese literature.
This thesis submitted in partial fulfillment of the requirements for the degree of MA in English Language and Literature of East West University, Dhaka, Bangladesh
</summary>
<dc:date>2025-08-14T00:00:00Z</dc:date>
</entry>
<entry>
<title>Shame: Reinterpreting the Beauty and the Beast Fairytale from a Feminist Perspective</title>
<link href="http://dspace.ewubd.edu:8080/handle/123456789/4636" rel="alternate"/>
<author>
<name>Doroyhy, Salma Shobnom</name>
</author>
<id>http://dspace.ewubd.edu:8080/handle/123456789/4636</id>
<updated>2025-07-17T04:30:38Z</updated>
<published>2011-07-25T00:00:00Z</published>
<summary type="text">Shame: Reinterpreting the Beauty and the Beast Fairytale from a Feminist Perspective
Doroyhy, Salma Shobnom
Feminism is a broad subject, which has many divisions and debates within itself.&#13;
The genre Feminist fairy tale will be focused in this paper. After the theoretical&#13;
discussion, the novel Shame will be analyzed in the light of feminist fairy tale. The&#13;
main purpose of this paper is to explore the extent to which the novel Shame has&#13;
reinterpreted the Beauty and the Beast fairy tale. Salman Rushdie has attempted to&#13;
reconfigure this fairy tale in the novel, which rewrite respectively the tale of&#13;
Beauty and the Beast. In the theoretical part of my research, I begin by reviewing&#13;
the history of feminism and feminist criticism. This part will cover fairy tales&#13;
from a feminist perspective. There is a small discussion of a few primary fairy tale&#13;
texts written by women and feminist theorizing about fairy tales. Then there is an&#13;
interpretation of Rushdie's novel in the light of feminist fairytale genre and discuss his effort to reconfigure the feminist fairy tale genre in Shame. Last but not&#13;
the least, the conclusion of the paper will give an overview of the whole research.
This thesis submitted in partial fulfillment of the requirements for the degree of MA in English Language and Literature of East West University, Dhaka, Bangladesh
</summary>
<dc:date>2011-07-25T00:00:00Z</dc:date>
</entry>
<entry>
<title>An Investigation into the Need of ESP Courses for University Students</title>
<link href="http://dspace.ewubd.edu:8080/handle/123456789/4635" rel="alternate"/>
<author>
<name>Baral, Sancheta</name>
</author>
<id>http://dspace.ewubd.edu:8080/handle/123456789/4635</id>
<updated>2025-07-17T04:30:27Z</updated>
<published>2011-07-04T00:00:00Z</published>
<summary type="text">An Investigation into the Need of ESP Courses for University Students
Baral, Sancheta
ESP English for specific purpose, like any form of language teaching, is primarily concerned with learning. In its development up to now, ESP has paid scent attention to the question of how people learn, focusing instead on the question of what people learn (Hutchinson and Waters, 1987). It has in other words, been language-centered approach. An ESP program is therefore built ion an assessment of purpose and needs and the functions for which English is required. ESP concentrates more language in contest than on teaching grammar and language structures. It covers subjects varying from accounting or computer science to tourism and business management. The ESP focal point is that English is not taught as a subject separated from the student real world, instead, it is integrated into a subject matter area important to the learners
This thesis submitted in partial fulfillment of the requirements for the degree of MA in English Language and Literature of East West University, Dhaka, Bangladesh
</summary>
<dc:date>2011-07-04T00:00:00Z</dc:date>
</entry>
<entry>
<title>Gloria Anzaldua’s Borderlands/La Frontera the New Mestiza: A Perfect Example of Postmodern Hybrid Text</title>
<link href="http://dspace.ewubd.edu:8080/handle/123456789/4628" rel="alternate"/>
<author>
<name>Sultana, Naznin</name>
</author>
<id>http://dspace.ewubd.edu:8080/handle/123456789/4628</id>
<updated>2025-07-07T06:16:17Z</updated>
<published>2011-07-04T00:00:00Z</published>
<summary type="text">Gloria Anzaldua’s Borderlands/La Frontera the New Mestiza: A Perfect Example of Postmodern Hybrid Text
Sultana, Naznin
The intention of this discussion is to analyze Anzaldua text borderland/la Frontera the new mestiza to present the text as a postmodern hybrid text. This text is a perfect example of pastiche work. Anzaldua creates a hybrid world in this text. This text is a perfect example of pastiche work. Anzaldua creates a hybrid world in this text. In Borderlands she mixed genres and even languages. This text can be considered as a novel though this text does not have any particular characters or themes or even a definite structure but this text is about Anzaldua's life. It is a semi autobiography of anzaldua molded with history, story as well as poetry, songs and prayers.
This thesis submitted in partial fulfillment of the requirements for the degree of MA in English Language and Literature of East West University, Dhaka, Bangladesh
</summary>
<dc:date>2011-07-04T00:00:00Z</dc:date>
</entry>
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